Rename Hundreds of Audio Files Correctly in Minutes
Built for Broadcast Professionals
TV networks and broadcasters have strict loudness requirements. EBU R128 in Europe, ATSC A/85 in the US. Miss the spec and your content gets rejected — or worse, auto-limited into distortion.
The Problem With Manual Audio File Naming
- ✗ Rejected deliveries due to loudness non-compliance
- ✗ Hours spent manually renaming files for each broadcast standard
- ✗ Confusion over which file is which after normalization
A typical broadcast delivery:
You've mixed 40 audio stems for a documentary series. The broadcaster needs EBU R128 masters, the streaming platform wants -14 LUFS, and the archive requires Full Scale WAVs. That's 120 files to normalize, rename, and organize correctly.
Common Broadcast Loudness Standards
- EBU R128 (-23 LUFS)
- ATSC A/85 (-24 LKFS)
- OP-59 (Australia)
How Automated Naming Improves Delivery Accuracy
- ✓ Batch processing — Normalize hundreds of files at once
- ✓ Automatic file naming — Files are named by standard so you never mix up deliverables
- ✓ Multiple standards — Output to different targets simultaneously
- ✓ Multiple formats — WAV, MP3, M4A/AAC with quality settings
Who Uses This
- Freelance audio engineers
- Post-production studios
- Podcast producers
- Music mastering engineers
- Broadcast delivery teams
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